La guida di Carlo-San Paolo f.l.m. Rome (english) 15' walking

The Papal Basilica of Saint Paul Outside the Walls (Italian: Basilica Papale di San Paolo fuori le Mura), commonly known as Saint Paul's Outside the Walls, is one of Rome's four ancient, papal, major basilicas, along with the basilicas of Saint John in the Lateran, Saint Peter's, and Saint Mary Major. The basilica is within Italian territory and not the territory of the Vatican City State, but the Holy See owns the Basilica, and Italy is legally obligated to recognize its full ownership and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic agents of foreign States". James Michael Harvey was named Archpriest of the basilica in 2012. History: The basilica was founded by the Roman Emperor Constantine I over the burial place of Saint Paul, where it was said that, after the Apostle's execution, his followers erected a memorial, called a cella memoriae. This first basilica was consecrated by Pope Sylvester in 324. In 386, Emperor Theodosius I began erecting a much larger and more beautiful basilica with a nave and four aisles with a transept. It was probably consecrated around 402 by Pope Innocent I. The work, including the mosaics, was not completed until Leo I's pontificate (440–461). In the 5th century it was larger than the Old Saint Peter's Basilica. The Christian poet Prudentius, who saw it at the time of emperor Honorius (395–423), describes the splendours of the monument in a few expressive lines. Under Leo I, extensive repair work was carried out following the collapse of the roof on account of fire or lightning. In particular, the transept (i.e. the area around Paul's tomb) was elevated and a new main altar and presbytery installed. This was probably the first time that an altar was placed over the tomb of Saint Paul, which remained untouched, but largely underground given Leo's newly elevated floor levels. Leo was also responsible for fixing the triumphal arch and for restoring a fountain in the courtyard (atrium). Under Pope Saint Gregory the Great (590–604) the main altar and presbytery were extensively modified. The pavement in the transept was raised and a new altar was placed above the earlier altar erected by Leo I. The position was directly over Saint Paul's sarcophagus. In that period there were two monasteries near the basilica: Saint Aristus's for men and Saint Stefano's for women. Masses were celebrated by a special body of clerics instituted by Pope Simplicius. Over time the monasteries and the basilica's clergy declined; Pope Saint Gregory II restored the former and entrusted the monks with the basilica's care. As it lay outside the Aurelian Walls, the basilica was damaged in the 9th century during a Saracen raid. Consequently, Pope John VIII (872–82) fortified the basilica, the monastery, and the dwellings of the peasantry, forming the town of Johannispolis (Italian: Giovannipoli) which existed until 1348, when an earthquake totally destroyed it. In 937, when Saint Odo of Cluny came to Rome, Alberic II of Spoleto, Patrician of Rome, entrusted the monastery and basilica to his congregation and Odo placed Balduino of Monte Cassino in charge. Pope Gregory VII was abbot of the monastery and in his time Pantaleone, a rich merchant of Amalfi who lived in Constantinople, presented the bronze doors of the basilica maior, which were executed by Constantinopolitan artists; the doors are inscribed with Pantaleone's prayer that the "doors of life" may be opened to him. Pope Martin V entrusted it to the monks of the Congregation of Monte Cassino. It was then made an abbey nullius. The abbot's jurisdiction extended over the districts of Civitella San Paolo, Leprignano, and Nazzano, all of which formed parishes. The graceful cloister of the monastery was erected between 1220 and 1241. From 1215 until 1964 it was the seat of the Latin Patriarch of Alexandria. On 15 July 1823, a workman repairing the lead of the roof started a fire that led to the near total destruction of this basilica, which, alone among all the churches of Rome, had preserved much of its original character for 1435 years. Pope Leo XII issued a document Ad plurimas encouraging donations for reconstruction. It was re-opened in 1840, and reconsecrated in 1855 in the presence of Pope Pius IX and fifty cardinals. The basilica was reconstructed identically to what it had been before, utilizing all the elements which had survived the fire. The complete decoration and reconstruction, in charge of Luigi Poletti, took longer, however, and many countries made their contributions. Muhammad Ali Pasha, Viceroy of Egypt sent pillars of alabaster, the Emperor of Russia the precious malachite and lapis lazuli of the tabernacle. The work on the principal façade, looking toward the Tiber, was completed by the Italian Government, which declared the church a national monument. On 23 April 1891 the explosion of the gunpowder magazine at Forte Portuense destroyed the stained glass windows. On 31 May 2005 Pope Benedict XVI ordered the basilica to come under the control of an archpriest and he named Archbishop Andrea Cordero Lanza di Montezemolo as its first archpriest. Architecture and interior The covered portico (or narthex) that precedes the façade is a Neo-classicist addition of the 19th-century reconstruction. On the right is the Holy Door, which is opened only during the Jubilees. The new basilica has maintained the original structure with one nave and four side aisles. It is 131.66 metres (432.0 ft) long, 65 metres (213 ft)-wide, and 29.70 metres (97.4 ft)-high, the second largest in Rome. The nave's 80 columns and its wood and stucco-decorated ceiling are from the 19th century. All that remains of the ancient basilica are the interior portion of the apse with the triumphal arch. The mosaics of the apse were greatly damaged in the 1823 fire; only a few traces were incorporated in the restoration. The 5th-century mosaics of the triumphal arch are original (but also heavily reworked): an inscription in the lower section attest they were done at the time of Leo I, paid by Galla Placidia. The subject portrays the Apocalypse of John, with the bust of Christ in the middle flanked by the 24 Doctors of the Church, surmounted by the flying symbols of the four Evangelists. Saint Peter and Saint Paul are portrayed at the right and left of the arch, the latter pointing downwards (probably to his tomb). From the inside, the windows may appear to be stained glass, but they are actually translucent alabaster. The tabernacle of the confession of Arnolfo di Cambio (1285) belongs to the 13th century. In the old basilica each pope had his portrait in a painted frieze extending above the columns separating the aisles from the nave. A 19th-century[citation needed] mosaic version can be seen now. The nave's interior walls were also redecorated with painted scenes from Saint Paul's life placed between the windows of the clerestory. South of the transept is the cloister, considered "one of the most beautiful of the Middle Ages". Built by Vassalletto in 1205-1241, it has double columns of different shapes. Some columns have inlays with golden and colored-glass mosaics; the same decoration can be seen on the architrave and the inner frame of the cloister. Also visible are fragments from the destroyed basilica and ancient sarcophagi, one with scenes of the myth of Apollo.